NCKU M.Arch II

We should not break away from materiality, digitality, and design. In an era where digital tools are constantly changing, it seems that it is still a tool for architects or designers to reproduce design. As a whole, by quoting "emerging" as a metaphor of a phenomenon, I observe and compare the current traditional and digital design processes, and divide the research into pre-research and post-design. The motivation is to ask that contemporary digital tools are not just tools that present results in a reproducible form. Therefore, emergence theory has been introduced to explore the possibility of digital manufacturing tools in experimental architectural design. Furthermore, the design is operated from the hierarchical rule database established between tools and materials, and the aforementioned system is applied to the process from design to manufacturing, that is, the stage of rapid prototyping, to shorten the distance between design and manufacturing, which is a kind of manufacturing. Ways bring new method verification. At the same time, it subverts the original thinking of the expected results of the design process, and in contrast, how the nonlinear loop process that brings unpredictable results can be fed back to the designer's own thinking. The purpose of this research is to try to provide a new design method, to examine the contemporary digital environment in a new way, and to promote changes in design processes and tools. Substituting the word emergence into the relationship between digital tools and materials, a series of enlightenments arose, presenting a large number of complex and diverse results. Then sum up a new set of rules from these seemingly chaotic results, and operate the rules under such a system. The limitations of design conditions make it continue to expand the next step of experimental, creative and deductive design.
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